Temptation of St. Anthony, c.1480. It was entirely natural for Michael Wolgemut or one of his assistants to use Schongauer's engraving as source material when they wanted to illustrate the medieval legend of Simon Magus. (Simon boasted that he could fly, and did so with the aid of invisible demons, but St. Peter prayed to God.
Yellow House 2000
Kosit Juntaratip in collaboration with 01 Name Last Name, 02 Name Last Name
Blood on Canvas, Aluminum and Glass. Size: 120 x 120 cm.
Photograph by Komkrich Yordkaew
Tell about this project in detail: what is about, like you tell anyone what going on in this project. Others emperor of China commands, in AD 175, that the six main classics Confucianism be carved in stone. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. Confucian scholars are eager to own these important texts. Now, instead of having them. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. His purpose is to preserve them for posterity The emperor of China classics Confucianism be carved in stone. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has unexpected result.
idea
The idea or concept about this project. Others emperor of China commands, in AD 175, that the six main classics Confucianism be carved in stone. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. Confucian scholars are eager to own these important texts. Now, instead of having them. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. His purpose is to preserve them for posterity The emperor of China classics Confucianism be carved in stone. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has unexpected result. Confucian scholars are eager to own these important texts. preserve them for posterity in what is held to be authentic version of the text. But his enterprise has unexpected result. Confucian scholars are eager to own these important texts. version of the text. But his enterprise has an unexpected result. His purpose is to preserve them for posterity in what is held to be authentic version of the text.
Left: The Bulls of Bordeaux. Lithography had a difficult enough time being accepted as a legitimate technique, let alone as a "high" art form. In 1825. Right: Bulls of Bordeaux. Francisco Goya, 1825. Lithography had a difficult enough time being accepted as a legitimate technique, let alone as a "high" art form. In 1825, Goya produced
a series of lithographs titled The Bulls of Bordeaux that was very successful.
Temptation of St. Anthony, c.1480. Most Northern painters worked with a common repertoire of images, which they copied from other artists and from pattern books and revised for their own use. It was entirely natural for Michael Wolgemut or one of his assistants to use Schongauer's engraving as source material when they wanted to illustrate the medieval legend of Simon Magus. (Simon boasted that he could fly, and did so with the aid of invisible demons.
CONFUCIANISM K'ung Fu-tzu, or "K'ung the Master"--lived from 551 to 479 BCE
Tzu--Kung asked: "Is there one principle upon which one's whole life may proceed?" The Master replied, "Is not Reciprocity such a principle?--what you, do not put before others."
Temptation of St. Anthony, c.1480. Most Northern painters worked with a common repertoire of images, which they copied from other artists and from pattern books and revised for their own use. It was entirely natural for Michael Wolgemut or one of his assistants to use Schongauer's engraving as source material when they wanted to illustrate the medieval legend of Simon Magus. (Simon boasted that he could fly.
Temptation of St. Anthony, c.1480. Most Northern painters worked with a common repertoire of images, which they copied from other artists and from pattern books and revised for their own use. It was entirely natural for Michael Wolgemut or one of his assistants to use Schongauer's engraving as source material when they wanted to illustrate the medieval legend of Simon Magus. (Simon boasted that he could fly, and did so with the aid of invisible demons.
Left: The Bulls of Bordeaux. Lithography had a difficult enough time being accepted as a legitimate technique, let alone as a "high" art form. In 1825. Right: Bulls of Bordeaux. Francisco Goya, 1825. Lithography had a difficult enough time being accepted as a legitimate technique, let alone as a "high" art form. In 1825, Goya produced
a series of lithographs titled The Bulls of Bordeaux that was very successful.
CONFUCIANISM K'ung Fu-tzu, or "K'ung the Master"--lived from 551 to 479 BCE
Tzu--Kung asked: "Is there one principle upon which one's whole life may proceed?" The Master replied, "Is not Reciprocity such a principle?--what you, do not put before others."
Project INFO
project: Project Titled (Full Titled)
artist: 01 Name Last Name | 02 Name Last Name | 03 Name Last Name
in collaboration with: 01 Name Last Name | 02 Name Last Name | 03 Name Last Name
performance:01 Name Last Name | 02 Name Last Name | 03 Name Last Name
technique:Ejaculation on canvas (Kosit’s spermatozoa Bio Material)
dimension: 300 CM. x 200 CM. x 300 cm. each
year of project :2000
photograph:01 Name Last Name | 02 Name Last Name | 03 Name Last Name
courtesy:01 Name Last Name | Collection of the artist
additional details
film Titled: Project Titled (Full Titled)
kind of: Documentary Performance | Art Film | Video Installation
also known as:Judou (China) | Ju Dou (Thai)
country:Hong Kong | China
year of project:2000
runtime:99 min.
language:Mandarin | Chinese
source:DVD | Digi Beta | Film S16
color:Black and White | Color
sound:DTS | Dolby Digital
aspect ratio:2.35 : 1
cast / crew
Chief Inspector Lee asJackie Chan
Detective James Carter asRoselyn Sanchez
Ricky Tan asChris Tucker
Isabella Molina asLi Gong
Baotian Gwang asZiyi Zhang
directed by Jackie Chan | Anthony Moore
writting creditsCynthia Ludwig
produced byMatthew Humphreys
original music byMitzi Haralson
cinematography byAnthony Blanding
film editing byJason Zakrzewski
casting byWong Oi Ping Dorothy
production design byRodney P. Barnes
costume design byJ. Michael Muro
exhibition INFO
exhibition titled:Exhibition Titled
exhibition curate by: 01 Name Last Name | 02 Name Last Name | 03 Name Last Name
site specific project by: 01 Name Last Name | 02 Name Last Name | 03 Name Last Name
venue: Gallery Name | Institution | Province | Country
exhibition date:20 February 2008 - 20 March 2009
day of opening:20 February 2008 | 06:00 pm.
exhibition titled:Exhibition Titled
exhibition curate by: 01 Name Last Name | 02 Name Last Name | 03 Name Last Name
site specific project by: 01 Name Last Name | 02 Name Last Name | 03 Name Last Name
venue: Gallery Name | Institution | Province | Country
exhibition date:20 February 2008 - 20 March 2009
day of opening:20 February 2008 | 06:00 pm.
exhibition titled:Exhibition Titled
exhibition curate by: 01 Name Last Name | 02 Name Last Name | 03 Name Last Name
site specific project by: 01 Name Last Name | 02 Name Last Name | 03 Name Last Name
venue: Gallery Name | Institution | Province | Country
exhibition date:20 February 2008 - 20 March 2009
day of opening:20 February 2008 | 06:00 pm.
special thanks to
01 Name Last Name | 02 Name Last Name | 03 Name Last Name
04 Name Last Name | 05 Name Last Name | 06 Name Last Name
07 Name Last Name | 08 Name Last Name | 09 Name Last Name
Posted: administrator on 10 September 2006 at 06.30 p.m.
WORKS detail
Temptation of St. Anthony, c.1480. It was entirely natural for Michael Wolgemut or one of his assistants to use Schongauer's engraving as source material when they wanted to illustrate the medieval legend of Simon Magus. (Simon boasted that he could fly, and did so with the aid of invisible demons, but St. Peter prayed to God.
Yellow House 2000
Kosit Juntaratip in collaboration with 01 Name Last Name, 02 Name Last Name
Blood on Canvas, Aluminum and Glass. Size: 120 x 120 cm.
Photograph by Komkrich Yordkaew
Tell about this project in detail: what is about, like you tell anyone what going on in this project. Others emperor of China commands, in AD 175, that the six main classics Confucianism be carved in stone. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. Confucian scholars are eager to own these important texts. Now, instead of having them. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. His purpose is to preserve them for posterity The emperor of China classics Confucianism be carved in stone. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has unexpected result.
idea
The idea or concept about this project. Others emperor of China commands, in AD 175, that the six main classics Confucianism be carved in stone. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. Confucian scholars are eager to own these important texts. Now, instead of having them. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has an unexpected result. His purpose is to preserve them for posterity The emperor of China classics Confucianism be carved in stone. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has unexpected result. Confucian scholars are eager to own these important texts. preserve them for posterity in what is held to be authentic version of the text. But his enterprise has unexpected result. Confucian scholars are eager to own these important texts. version of the text. But his enterprise has an unexpected result. His purpose is to preserve them for posterity in what is held to be authentic version of the text.
Left: The Bulls of Bordeaux. Lithography had a difficult enough time being accepted as a legitimate technique, let alone as a "high" art form. In 1825. Right: Bulls of Bordeaux. Francisco Goya, 1825. Lithography had a difficult enough time being accepted as a legitimate technique, let alone as a "high" art form. In 1825, Goya produced
a series of lithographs titled The Bulls of Bordeaux that was very successful.
Temptation of St. Anthony, c.1480. Most Northern painters worked with a common repertoire of images, which they copied from other artists and from pattern books and revised for their own use. It was entirely natural for Michael Wolgemut or one of his assistants to use Schongauer's engraving as source material when they wanted to illustrate the medieval legend of Simon Magus. (Simon boasted that he could fly, and did so with the aid of invisible demons.
CONFUCIANISM K'ung Fu-tzu, or "K'ung the Master"--lived from 551 to 479 BCE
Tzu--Kung asked: "Is there one principle upon which one's whole life may proceed?" The Master replied, "Is not Reciprocity such a principle?--what you, do not put before others."
Temptation of St. Anthony, c.1480. Most Northern painters worked with a common repertoire of images, which they copied from other artists and from pattern books and revised for their own use. It was entirely natural for Michael Wolgemut or one of his assistants to use Schongauer's engraving as source material when they wanted to illustrate the medieval legend of Simon Magus. (Simon boasted that he could fly.
Temptation of St. Anthony, c.1480. Most Northern painters worked with a common repertoire of images, which they copied from other artists and from pattern books and revised for their own use. It was entirely natural for Michael Wolgemut or one of his assistants to use Schongauer's engraving as source material when they wanted to illustrate the medieval legend of Simon Magus. (Simon boasted that he could fly, and did so with the aid of invisible demons.
Left: The Bulls of Bordeaux. Lithography had a difficult enough time being accepted as a legitimate technique, let alone as a "high" art form. In 1825. Right: Bulls of Bordeaux. Francisco Goya, 1825. Lithography had a difficult enough time being accepted as a legitimate technique, let alone as a "high" art form. In 1825, Goya produced
a series of lithographs titled The Bulls of Bordeaux that was very successful.
CONFUCIANISM K'ung Fu-tzu, or "K'ung the Master"--lived from 551 to 479 BCE
Tzu--Kung asked: "Is there one principle upon which one's whole life may proceed?" The Master replied, "Is not Reciprocity such a principle?--what you, do not put before others."
Project INFO
project: Project Titled (Full Titled)
artist: 01 Name Last Name | 02 Name Last Name | 03 Name Last Name
in collaboration with: 01 Name Last Name | 02 Name Last Name | 03 Name Last Name
performance:01 Name Last Name | 02 Name Last Name | 03 Name Last Name
technique:Ejaculation on canvas (Kosit’s spermatozoa Bio Material)
dimension: 300 CM. x 200 CM. x 300 cm. each
year of project :2000
photograph:01 Name Last Name | 02 Name Last Name | 03 Name Last Name
courtesy:01 Name Last Name | Collection of the artist
additional details
film Titled: Project Titled (Full Titled)
kind of: Documentary Performance | Art Film | Video Installation
